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Black messenger bag made of a rubberized TPU fabric, 17˝ x 12˝ x 3.5˝, signed on the front flap in silver ink, “K. Haring, 89,” who adds his circle-cross symbol and a large sketch of a television set that contains a figure with raised arms, possibly a dancer. The inside of the bag bears an ownership notation. In fine condition, with wear from use. Throughout his work, Keith Haring repeatedly employed television imagery as a central motif, using it to critique media saturation, suggest themes of mind control, and highlight the growing influence of technology on modern society.
Per the consignor: ‘I was an art student at Pratt Institute in Brooklyn, NY, in the mid-80s when Keith Haring visited the school and spoke with a small group of students, which included me, in the video art program. During the visit, I was carrying a black messenger-style bag made of a rubber-like material, and I asked Keith to draw on it with an ink marker. Keith drew a TV with a dancing figure on the bag and signed it ‘K. Haring 89,’ preceded by his cross/circle symbol.
During those years, video artist Nam June Paik was a visiting professor at Pratt, and Juan Downey was a visiting lecturer. I was a student of Downey's. Haring and Paik knew each other and had a close relationship. Paik was one of Haring's mentors and a major influence on his work, especially related to video and electronic media. Haring also collaborated with Paik on a number of projects, including the production of a video art program for German television in 1984. The two artists shared an interest in technology and its impact on society, and they often explored these themes in their work.
I used the bag after Keith signed it, and as you can see, it is not in pristine condition, although it feels appropriate for the drawing and fits with the scenario in which it was created.’
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